Belladonna

The reconstructed accord: heavy, narcotic white floral with bitter-green edges and a damp-earth undertow. Think tuberose left in a cellar — there is beauty but also something unsettling, vegetal, and dark. A faint black-berry sweetness. No lightness or transparency.

Belladonna (Atropa belladonna) is too toxic for any commercial extraction in perfumery. Every part of the plant — berries, leaves, roots — contains tropane alkaloids (atropine, scopolamine) that are lethal in small doses. The perfumery note is pure concept.

What perfumers build under the name 'belladonna' draws on the plant's mythology rather than its actual scent (which is, in truth, faintly unpleasant — weedy, green, mildly acrid). The reconstructed accord channels darkness: heavy narcotic florals, damp earth, a bitter-green herbaceousness, sometimes a berry-like sweetness.

Typical construction: tuberose or narcissus bases for narcotic weight, green galbanum or violet leaf for bitter herbal character, a touch of earthy vetiver or patchouli, and optionally a dark berry note (blackcurrant, belladonna's berries are glossy black). The result reads as gothic florality.

The name 'belladonna' — beautiful lady — refers to Renaissance Italian women who used atropine eye drops to dilate their pupils, which was considered attractive. This killed some of them.

This note in Première Peau. Nuit Elastique · Rose Monotone. Sample all seven extraits in the Discovery Set.

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